The G-series cameras were solidly constructed of titanium and did not use the Leica M-mount seen on many similar rangefinder cameras. Instead, they used the Contax G-mount, which was an electronic autofocus mount.
This made some 'traditionalists' unhappy as they saw the camera as not being a "true" rangefinder, i.e. mechanical, using as it did, autofocus and electronically linked mechanisms. However, it did use a twin-window system similar to other, older mechanical rangefinders, it's just that it was electronic. However, the lenses have no AF motor and autofocus is performed via "screw drive" motor in-camera.
The Carl Zeiss Lenses available for the Contax G were:
- 45 mm f/2 Planar
- 28 mm f/2.8 Biogon
- 90 mm f/2.8 Sonnar
- 21 mm f/2.8 Biogon
- 16 mm f/8 Hologon
- 35 mm f/2 Planar
- 35–70 mm f/3.5–5.6 Vario-Sonnar
All of the lenses were highly regarded but the especially so the 45mm f/2 Planar, rated as the second-sharpest 35mm lens ever tested by the Swedish test site www.photodo.com, just behind the Canon EF 200mm f/1.8 L USM.
The two lenses I have, the 28 mm f/2.8 Biogon and 90 mm f/2.8 Sonnar are also rated highly (4.3 MTF and 4.4 MTF respectively, compared to Canon EF 200 mm f/1.8L at 4.8 MTF). In use, I have found them to be excellent performers, providing excellent sharpness and good contrast.
Below are some recent images that were with the 28 mm f/2.8 Biogon. They are black and white, taken on the streets of Colchester. All of them were converted from Fuji RAW to Jpegs in Lightroom, with free presets from Samuel Zeller, a Fuji Ambassador. Visit his portfolio here to find out more about the presets and how to get them yourselves for free.
I use the LR preset 'Punch' and his preset 'BW Noir+ wb/exp. All images were taken on Fuji X-T2 with Provia Standard film simulation, using the 28 mm f/2.8 T* Biogon lens. As the lens has to be attached with an adapter, you can only use manual focus. Fortunately, Fuji has made focus peaking and magnification available. I have set my X-T2 up so I can check focus by pressing the rear control dial to zoom in on the image before pressing the shutter release.
Street photography can mean a lot of different things to different people. Some photographers only shoot black and white, others use colour or both. Some like to get up close and personal, almost paparazzi style, whilst others like to engage with their subject, even posing then before taking the photo. For me personally, I prefer to observe and to take candid shots. Sometimes, the subject(s) will look at me and possibly even realise I am taking photographs. However, I tend to use the live view facility with the rear screen tilted so I can look down as if reviewing images. This is usually sufficient to avoid any confrontational incidents. In the past, I have approached people to ask their permission before shooting, but my style has now changed to capturing candid rather posed images.
All the images were taken in Colchester, Essex, where I have lived for 20 years. You can see more of my images on Flickr here.